物色比想像中輕薄，重印的鄭弘敬的第一本 zine 非常乾脆的只有滑滑幾頁。封面黏著兩張 post-it，一張是作者和書名，另一張寫著：2011 秋天從底片 → 相紙 → 影印紙 → 底片 → 螢幕 → 影印紙。原來物色是重製再重製的結果。拍攝的底片沖洗、數位化、噴墨印在相紙上，成為第一版影像書，之後再次掃描相紙上的同一批影像印製成最終版的物色。在影像不斷的轉化的過程中，影像的意義是否也隨之轉變？照片沒有複雜圖像、表面看上去皆是大色塊。這些有點無聊的照片中的物件因爲多次重製而模糊、色偏，徒留表象，一如書名。被鄭弘敬看著看著，不耐煩的物與景色好像也有點意思了。
開本：14.8cm x 21cm
Wu Se is Tekoukei’s reproduction of his first zine. It’s very light weighted, simply just few pages printed on glossy paper. There are two post-it stickers on the cover with hand writing, one is the book title and author’s name; another is : 2011 autumn from films → photographic paper → copy paper → films → screen → copy paper. Finally, we realized that the zine we’re holding at is the result of the reproduced reproduction. The developed films have been digitized then printed onto photography paper, then became the first edition of Wu Se. This time, Tekoukei directly scanned the same printed photographs and reprinted into this finalized version. The aim is to question if the process of transforming the images will change the meaning of images or not? These photographs have no complex details, they seems more like big color lumps. However, the objects in these scenes are blurred and color shifted, only the representation is left, just like the title of this zine. Through Tekoukei’s eyes, these dull sceneries seems not that boring any more.
14.8cm x 21cm
Limited edition 300 copies
Printed in 2016